Beyond film scoring, an independent musical project brings together electronic production, voice and a cinematic sensibility.
Moving between contemplative, nocturnal atmospheres and propulsive, syncopated rhythms.
Fragile vocal textures and understated melodies meet intricate harmonies and expansive soundscapes, shifting between intimacy and vastness, movement and suspension.
The two worlds continually feed each other: cinema sharpens an ear for silence, rhythm and space, while the personal work offers the freedom to experiment and discover new sounds that find their way back into the image.
My musical journey began with electronic music in its broadest sense, gradually evolving into a hybrid language unrestricted by traditional forms of arrangement.
One of the most rewarding aspects of composing for film is the exchange with the director: a unique and intimate dialogue that evolves throughout the creative process, from the project's initial mood boards to the final stages of post-production, when sound finds its place and envelops the film, becoming part of its very fabric.
From electronic oscillators to orchestral writing and sound design, what matters most is serving an idea, an atmosphere, a palette of colours, an intention or a sense of movement — beyond form itself.
Beyond film scoring, an independent musical project brings together electronic production, voice and a cinematic sensibility.
Moving between contemplative, nocturnal atmospheres and propulsive, syncopated rhythms.
Fragile vocal textures and understated melodies meet intricate harmonies and expansive soundscapes, shifting between intimacy and vastness, movement and suspension.
The two worlds continually feed each other: cinema sharpens an ear for silence, rhythm and space, while the personal work offers the freedom to experiment and discover new sounds that find their way back into the image.
My musical journey began with electronic music in its broadest sense, gradually evolving into a hybrid language unrestricted by traditional forms of arrangement.
One of the most rewarding aspects of composing for film is the exchange with the director: a unique and intimate dialogue that evolves throughout the creative process, from the project's initial mood boards to the final stages of post-production, when sound finds its place and envelops the film, becoming part of its very fabric.
From electronic oscillators to orchestral writing and sound design, what matters most is serving an idea, an atmosphere, a palette of colours, an intention or a sense of movement — beyond form itself.
THE FOOL
TILL THE END
EP
SIX FACES EP
SURROUNDED EP
Inspired by the work of Pierre Loys Joubert who directed the short DIKRA.
A young dancer of Moroccan descent, raised in France, returns to Morocco after leaving a France increasingly turned inward. Through a conversation with Keltoum and a hybrid dance blending breakdance with rooted, traditional gestures, he explores his search for identity and his sense of belonging between two worlds.
This EP is an electronic soundscape accompanying Jonathan Steuer’s project Till The End.
This work takes a deeper dive into club music, with a techno track that brings this final party into focus while reconnecting with my house and techno influences.
“The Fool,” featuring Lahoussay, blends modern soul and UK garage to heighten the track’s emotional tension. It explores the self-imposed escape we create by delaying our own fulfilment, held back by the fear of judgment.
Coming Soon
THE FOOL
TILL THE END EP
SIX FACES EP
SURROUNDED EP
Inspired by the work of Pierre Loys Joubert who directed the short DIKRA.
A young dancer of Moroccan descent, raised in France, returns to Morocco after leaving a France increasingly turned inward. Through a conversation with Keltoum and a hybrid dance blending breakdance with rooted, traditional gestures, he explores his search for identity and his sense of belonging between two worlds.
This EP is an electronic soundscape accompanying Jonathan Steuer’s project Till The End.
This work takes a deeper dive into club music, with a techno track that brings this final party into focus while reconnecting with my house and techno influences.
“The Fool,” featuring Lahoussay, blends modern soul and UK garage to heighten the track’s emotional tension. It explores the self-imposed escape we create by delaying our own fulfilment, held back by the fear of judgment.
Coming Soon